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Clarke, Kevin. In his study for The Veiled ChristWiley references Renaissance and Baroque depictions of Christ before his Entombment—most specifically a Giuseppe Sanmartino sculpture in the Cappella Sansevero in Naples, as well as Hans Holbein the Younger's The Body of the Dead Christ in the Tomb —22 —but imbues the overall composition with his signature decorative elements. This interview has been edited and condensed for clarity and length. Hartley returned to the United States in due to the escalating horrors of the war, eventually returning to his home state of Maine. Among The Met's rich holdings of Abbott's work is her portrait of Jane Heapthe celebrated literary figure and co-founder—with her lover and longtime business partner Margaret Anderson—of The Little Reviewan avant-garde journal that counted among its contributors Ezra Pound, T. By using this site, you agree to the Terms of Use and Privacy Policy. We embrace the rich creative history of this community by educating, informing, inspiring, entertaining, and challenging all who enter our doors.

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Cocteau's book Le Livre Blanc The White Paper was a plea for homosexual acceptance so impassioned that it reads as a credo—with a condemnation of society so strong that he submitted the manuscript for publication anonymously:

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June Retrieved Ulrichs considered his condition of same-sex attraction to be inborn, and therefore deserving of respect and not persecution. Society of American Archivists.

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The greatest of these is arguably Portrait of a German Officera life-size memorial to von Freyburg painted in Hartley's signature mix of Synthetic Cubism and German Expressionism.

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